Undergraduate prizes
You could be eligible for an undergraduate music prize. The prizes are awarded for outstanding work, including the best overall second year student with the highest marks, the highest performing undergraduate student, and the best third year project.

The David Osmond-Smith Prize
The David Osmond-Smith Prize is awarded by the Sussex Music Department to the graduating student who has written the most academically rigorous essay/dissertation over the course of his or her studies. The prize has been given to celebrate the life and teaching of David Osmond-Smith who taught at Sussex for 34 years from 1973 to 2007.
During this time, David inspired generations of students both in the Music Department and across other disciplines with his astounding and original intellect, the energy and intensity he brought to a seminar or tutorial, and the warmth and kindness he shared with students, colleagues and friends alike. The prize is £200 donated by a Sussex Music Alumni.
- Previous recipients
 2025 Freya Farmer (BA Music): Soundtracking Subculture: Music, Movement, and Embodied Sampling in Audiovisual Skateboarding Media 2024 Mina-Mae Alexander (BA Music): Constructing Prehistoric Musicologies: A Re-Examination of Spirituality, Community, Identity and Continuity Through Musical Practice in Mesolithic and Neolithic Britain 2023 Katie Dermody-Palmer (BA Music Technology): Yonic Rock? Exploring female presence in post punk as a rejection of masculinised notions of music with The Last Dinner Party 2022 Daryl Pruess (BA Music Technology): Transhumanism in Popular Music: Exploring the Cyborg and Technology 2021 Agnete Johansen (BA Music) From Military Men to Boys With Luv: The Evolution of BTS's Versatile Masculinities 2020 Mathilde Davidson (BA Music): Queer female sexuality and authenticity in French chart music through the lens of Susan Cusick’s ‘power/pleasure/intimacy’ triad: A case study on three songs by Angele. 2019 James Longcake (BA Music): Now That's What I Call Playlists 2018 Robert Gyorgyi (BA Music): Opus Ex Machina: The Concept, History, Creation, and Performance of Robot Opera 2017 Natalie Whiteland (BA Music): David Bowie: The Construction, Death, and Resurrection of Musicians in Popular Music Culture 2016 Anton Pearson (BA Music): Musical Spatial Awareness: Understanding the relationship between the created space and the existing space at the music festival 2015 David Gridley (BA Music): Title to be confirmed 2014 Oliver Lindman (BA Music) The Musical Evolution of the Princess in Disney’s Animated Features 2013 Hannah Cooper (BA Music) - Is the ‘bad press’ associated with musical neoclassicism justified, or can it transcend these historical criticisms to become an authentic trend in modern music?' 
 2012 Calum Bowen (BA Music) - Sampling and Society2011 Emma Howard (BA Music & French) - Music and Driving 2010 Tim Satterthwaite (MA Art History) - Desire & Denial 2008 Emily Richardson (BA Music) - West Side Story, and the representation of the ethnic Other 
Sir Thomas Beecham Scholarship
 The Trustees of the Sir Thomas Beecham Trust have established, in perpetuity, a scholarship at the University for undergraduate Music students. The award of £1,000 is given as a 'Sir Thomas Beecham Scholarship Award' to a first year student for skills as an outstanding instrumentalist, outstanding academic work and contribution to music in general.
The Trustees of the Sir Thomas Beecham Trust have established, in perpetuity, a scholarship at the University for undergraduate Music students. The award of £1,000 is given as a 'Sir Thomas Beecham Scholarship Award' to a first year student for skills as an outstanding instrumentalist, outstanding academic work and contribution to music in general.
Sir Thomas Beecham was an English conductor and impresario best known for his association with the London Philharmonic and the Royal Philharmonic orchestras. He was also closely associated with the Liverpool Philharmonic and Hallé orchestras. From the early 20th century until his death, Beecham was a major influence on the musical life of Britain and, according to the BBC, was Britain's first international conductor.
- Previous recipients
2022/23 Connor Johnson Piano 2021/22 Amelia Rubra Piano 2020/21 Samuel Thrussell Clarinet 2019/20 Kai Vollprecht Cello 2018/19 Suheil (Sunny) Shehab Flute 2017/18 No scholarship awarded 2016/17 James Longcake Electric Guitar 2015/16 Charles Higgins Jazz Piano 2014/15 Natalie Whiteland Harp 2013/14 Anton Pearson Guitar 2012/13 Dominic Horsley Tuba 2011/12 Tom Reade Piano 2010/11 Amy Squirrell Cello 2009/10 Louis Scott-Delany Piano 2008/09 Joe Garvey Guitar 2007/08 Matt Sheeran Violin 2006/07 No scholarship awarded 2005/06 Suzie Wilkins Flute 2004/05 Ruth Collings Violin 2003/04 Stefan Haffner Piano 2002/03 Ben Rosairo Piano 2001/02 Emily Hall Piano 2000/01 Frances Marriott Violin 1999/00 Darran Laine Voice 1998/99 Emma Booth Cello 1997/98 Hannah Baxter Guitar 
Gazelle Twin Scholarship
 The Gazelle Twin Scholarship for Women in Music Technology is available to a woman, trans or non-binary applicant taking up a place on a Music or Music Technology BA at the 名媛直播.
The Gazelle Twin Scholarship for Women in Music Technology is available to a woman, trans or non-binary applicant taking up a place on a Music or Music Technology BA at the 名媛直播. 
Gazelle Twin, otherwise known as Elizabeth Bernholz, is a composer and producer who graduated from Sussex in 2006 with a BA in Music. She’s since gone on to release five studio albums under her Gazelle Twin pseudonym, including The Quietus’ 2014 Album of the Year UNFLESH.
Photo credit: Victor Frankowsi
- Previous recipients
2024/25 Sasha Krieger-Rees 2023/24 Natasha O'Flynn 2022/23 Nina Kohoutová 2021/22 Rania Bouzekraoui